Thursday, April 28, 2011
Guyana Freestyle Cypher:
Sunday, March 6, 2011
Saturday, March 5, 2011
Artist Spotlight: Jay Anderson
Today it's Jay Anderson, another young rapper. However, I feel this dude got some talent. I was truly entertained especially by the lil snippet of mirror mirror.
Popular featuring Tish
Mirror Mirror
Tuesday, March 1, 2011
New Artist: Brownface Gunna
In life you have to accept the good and the bad, one can’t exist without the other. This is the philosophy Marcel De Castro (a.k.a. Brownface Gunna), a young, talented rapper/producer hailing from Toronto’s west end, lives by. And he emulates it across the board from his laidback demeanor to the music that he makes.
Brownface’s style is mood music. It switches between angry and upbeat and everything in between based on the type of mood he is in and what he’s going through in life at that moment. The versatility he brings in his music keeps him and his audience anything but bored.
Growing up in Rexdale, the West Indian bred Brownface began rapping at age 11, just for fun. He imitated what he saw on TV in music videos because “rappers were cool” but most importantly it was the only music that indicated that there were other kids, in the world growing up in something other than a Cosby home.
What began as a fun hobby, one that he would have to hide from his mother and grandmother, grew into a deep-rooted passion Brownface just couldn’t shake. At age 15 he began experimenting with beatmaking and by the time he was 17, he became confident in his abilities. Five years later he has evolved into a recognized artist/producer in the Toronto scene on the come up, having released two mixtapes, The Grizzy and Green Harvest as well as successfully earning a place as a contender in the last four Battle of the Beatmaker competitions.
With songs like his latest “Big Dreams” Brownface connects to his audience in the same way rappers like Jay-Z, Nas and Twista did with him in the ’90s. His songs tell stories of a Toronto youth on the come-up, and the world around him. His fast flow and smooth delivery gives way for hard hitting lyrics that paint clear pictures of his struggles, his passion, his pain and his happiness.
Brownface is also willing to push the limits, often taking beats producers intended for dance, rock or R&B tunes, and altering them to fit his unique needs. He’s a self-proclaimed perfectionist and is known for not settling for anything but what he envisions when it comes to his music.
In addition to working with his closest friends including singer Moses and rapper 4-twoney, Brownface has worked with many of Toronto’s elite as well as music royalty including producing the hit “Hollywood Fresh” which was a collaboration with Dougie Fresh and Keysha as well recording with Juno-nominated Kim Davis. He most recently worked with MMVA-award winning video director David Cropper on the music video for the aforementioned “Big Dreams” which was shot in New York City.
But even after accomplishing so much at such a young age, Brownface remains rooted in his community. He still continues to perform at many charity and community events and he believes in never forgetting where you came from, he reps hard for his Guyanese/West-Indian community whether it’s through interweaving slang into his lyrics or showing love for the youth who hit him up through the internet. Strong roots are an important element for the young rapper as he takes strides in his mission to shake up, the game and bring something new to hip-hop. “You gotta understand you work to live life not live to work, money’s just a piece of paper, you gotta have family, friends a community”. That’s Brownfaces inspiration and that’s what fuels his music. “I am not one of those guys that goes off to Hollywood and never look back.”
See more on his page: Brownface Gunna
Sunday, February 20, 2011
Nuff New Music and I don't have time to post it....
Shelly G is back in Business after missing the Soca Monarch competition in 2010
Shelly G - Let me Loose
Shelly G fear De Hitman - Iron
Fojo - Trini Posse
Adrian Dutchin - Ah taking it
Saturday, December 18, 2010
Monday, October 25, 2010
Gregory Issacs Dies @ 59.
Gregory Isaacs, the Jamaican reggae singer whose smooth style earned him the nickname "Cool Ruler," has died. He was 59. Isaacs' manager, Copeland Forbes, said the singer died Monday at his London home. Isaacs had been diagnosed with lung cancer a year ago, but continued performing until weeks before his death.
His wife Linda said Isaacs was "well-loved by everyone, his fans and his family, and he worked really hard to make sure he delivered the music they loved and enjoyed." Born in a Kingston, Jamaica slum in 1951, Isaacs began recording in his teens, and went on to produce scores of albums .
With his sinuous baritone and romantic songs, Isaacs became a leading proponent of the mellow "Lovers Rock" style of reggae. He hit his stride in the mid-1970s with ballads like "Love is Overdue" and "All I Have Is Love."
~~~~~~~~~~~~~A Caribbean musical legend who I personally grew up listening to, dancing to, amd misunderstanding all the lyrics until I became an adult. Such simple lyrics, yet such a soulful delivery and a splendidly unique voice. I can't believe he's only 59, he seems much older, maybe he was much wiser. RIP....sing in Jah's choir!
some of favorites: Hush Darling
Stranger in Town:
Sad to know you're leaving:
Saturday, October 16, 2010
Thursday, July 8, 2010
First Born Bruk Up: Oh NO!
No further details about the actual split, but members Treyon Garrett is making a solo move and will be releasing an album soon.
Troy Azore is also going to be going solo.
I'm sad man, this was a good group and to see them break up without making it bigger is such a shame.
I am not afraid:
Irits:
Junkie:
Headline:
Guyana Cultural Fest: Maryland
Artists straight from Guyana Timeka Marshall, FOJO, Shelly G, Brutal Jammers
Other artists: Terry Gajraj, The Angels Caribbean Band, Wataflo and more
Go if you can.
Saturday, May 29, 2010
Gialiani doing himself
He can be credited with being brave; coming out as a rap artiste ready to infiltrate a society which is familiar with foreign rap music and hardly pays attention to local voices trying to be heard. He shot a video and was throwing up dollars in the air, flashing a whole lot of bling and partying with women just like they do it in the videos we are used to seeing. But then he went silent.
“I was still working. I work every day developing my craft because this is my job, this is what I do,” Gialiani said in a recent interview. His tone was sharp, piercing to the point of a decibel [maybe an exaggeration], but he was probably going for convincing. Whatever it was, he was serious about how hard he has been working since his break-out release, “Rude Boi” in 2005.
He is not as obvious anymore, his appearance is like any other guy who is conscious about how he looks, but the baggy clothes and bling are gone; left for the music videos when he said he is allowed to be the rap artiste that he is. So what exactly has he been up to lately?
The rapper is back home for corporate support and to push his latest single, “London Girl”. Corporate support, he said, means somehow getting corporate Guyana to pump money into what he is doing and this is a stretch, but somehow he manages to talk them into sustaining that support. Gialiani has been funding his own projects and he released “London Girl” using his own money. The track is fresh, fun and an improved sound; it is Gialiani reloaded. It is set for release on UK radio stations soon; Gialiani had been in London for several months now pushing his music.
He said it is costly to work out of the UK, but he went because of the interest he said the people pay over there in rap music. “They are accepting of international artistes,” he said, noting that the US is a more competitive market and one he could take years, if ever to break into. Gialiani has been working non-stop since he went to London and according to him; it was hard because he had to build contacts and network starting without any connections.
He has not done any major work yet over there, but performed at a few open mic events and was also invited at a couple of campus jams. He said “London Girl” was done to connect with the London audience and allow them to have something to identify with. “The melody was really important, we found that first and then put lyrics to it, but the song is really strategic,” he noted. Gialiani is hoping the song lands him a solid fan base over there and eventually on an international scale.
Speaking about the song, he said, it is an R&B cross-over and more of “a chill song”. He described it as a laid-back track, which people would definitely want to listen to when it is on. Gialiani collaborated with UK artiste, Haley May, who is also trying to breakout.
Since he has been back there have been bookings, but he is yet to commit to any of it. He said the finances he would pick up from the performances are not “really important right now”, but he is also considering whether the performances can bring him and the song the kind of exposure he is looking for.
Gialiani has plans to collaborate with several artistes plugging away like him in the UK. He said that his tapes are out and are sitting on the desks of people who can make things happen. “I am waiting on them, they have to listen and if they like it that is my break,” he said. He is hoping to shoot a video for “London Girl”, but has to raise the funds to do it.
“I am very serious about my work now, back then I did a lot music that I never really studied that much. I’m a different artiste now, I have grown and I understand now how music can change people,” he added. His focus is now on making music which “relaxes people”. He said his mother could not relate to any of the material he had out previously, but “London Girl” is growing on her. He is largely satisfied with the song, but feels it could have been better; he feels it could have been better lyrically.
He could be really optimistic, but he feels a record deal could be a year away. Previously he had teamed up with a management team out of Barbados after promoting his music on the island but that did not work out. Anyone who is interested in sampling his music can contact him at dongialianigy@gmail.com for a free copy.
Still in his twenties he feels that he has some time, but “not a lot”. He said that he has been up to-date with his music and has been releasing samples on Face book, Twitter and YouTube. He said that those social networking sites have limitations based on where you are.From Stabroek News
Adrian Dutchin, Jory and Peter Ram on O.M.G Remix
From Stabroek News:
New kid on the block Jory Hector is going international as he has now teamed up with Barbadian soca star Peter Ram and his Guyanese counterpart Adrian Dutchin to produce a racy piece.
The original song, “OMG”, which was sung by Adrian, produced by musical-genius, Keyes and recorded at Kross Kolor Studios, has reportedly been blazing the airwaves. However, the official remix is anticipated to be a definite “chart-topper since these three amazing artistes have added their unique styles to this groovy dancehall mix”.
According to the release, Jory, who is vividly heard in the second verse articulating his appreciation for well-figured women, complements the chorus with eight bars of cunning rhymes, innuendos and slangs that are sure to thrill music lovers everywhere including his budding fan base.
Friday, May 28, 2010
2010 is the year of Jess X
‘I want this year to be my year’Tiffny Rhodius
“I want my own identity in music. I really want this year to be my year,” says the talented Jessica Xavier as she prepares to release her latest single with at least three others to follow for the year.
The 24-year-old musician likes to think that her music officially started when she released her first single “Baby Don’t Cry” last year. However, she has been singing for as long as she can remember at benefit concerts and charity dos. Her venture into music started when she was noticed by Danley Major who she says is “pretty much responsible for pushing me in that direction. He and his wife are fantastic.” Major produced and tracked the single, “Baby Don’t Cry”, Xavier said.
The sultry ballad singer admitted that she was sceptical about doing her first single with reggae rhythm but was told by her producer she needed to make a sacrifice. So making the sacrifice, Jessica said, she researched reggae “to feel the music” before she started to work on the song.
Jessica added that she was attacked by nerves her first time recording in the studio. The self-professed perfectionist says that being in a closed box with persons looking on made her nervous but being nervous helped her with achieving her best since she puts “more effort” into what she is doing.
As for a possible video to accompany her first single, a self-conscious Jessica admits that she’s “scared of TV”. Citing harsh critics out there among the reasons, Jessica says, “I hate the attention. Ever since I started singing I rarely go out.” Instead she spends the time with her family and she travels.
Nonetheless, the songbird, noting that she is new in the professional music business, was adamant in pointing out that she was not Megan Vieira who she says she gets mistaken for quite a lot, “I’m not Megan Vieira! I’m Jessica Xavier. I get that too much. I want my own identity in music,” she reaffirmed.
This is likely, as she works towards the release of five songs for the year. The first release, another single is due out soon and the others later on in the year. “I really want this year to be my year,” she adds as she tells of her newest single to be released soon, “A Better Day”.
According to Jessica, “A Better Day” is more of an R&B style single which is being produced by Darrell Pugsley and recorded at Brutal Tracks. Jessica says she is working closely with the producer on the single which is being funded by her.
Meanwhile later in the year Jessica expects to release another single which is being produced in Barbados. The single she says is “R&B mixed with a Caribbean vibe”. Also in the making is a single which she is working on with Dwayne Stephens. All in all, Jessica says she is “looking at three or more tracks for this year”.
But this she note is all dependent on sponsorship. While she is funding her imminent release and she secured sponsorship for the other singles, Jessica stressed the importance of funding if an artist is to make it in the business.
“Music does not pay the bills unless you make it to that level,” she noted. And speaking of achieving a “level” in the music industry, she says all she wants is to be an influence. “The level I’m looking for is not red carpet I want to be an influence. I want to make enough money to give back.
“I like pushing young people,” she adds. Her noble aspirations she says stems from her not being pushed when she needed it even though she was told she was a great singer, she said. But she knows that her aspirations to help other singers can only go so far, the talented songbird says more needs to be done to develop the talents of young singers.
Investing in a music school she says is one way to develop young talent. Everything from vocal training to public speaking she says should be taught. But most importantly, Jessica stressed the importance of an education in the business, which she feels would make achieving one’s dreams more of a reality.
Further, the music industry is too young to be as competitive as it is, she said. Jessica feels there needs to be more collaboration and less competition among artists in the local industry.
Everyone has his/her own style of singing and everyone is trying to make it she notes but it does not require the “fighting” that is currently going on. Using an example, she says that the opening of her upcoming single “A Better Day” has the same line as Tamika Marshall’s “One More Day” single which she hopes does not draw any harsh comparisons or wrong conclusions.
Meanwhile, outside of singing, Jessica heads her own Project Management business. Being self employed, she points out, gives her the opportunity to work on her music on her time. She notes she has been in business before she was in singing but says she works better when music is incorporated in her life and that is how she knew she had to do music as well.
A family oriented person, Jessica likes travelling and spending time with her family who she says has taught her to appreciate the smaller things in life since those are the things that count. The third of 11 siblings, Jessica credits her mother “for doing a great job” and her dad for pushing her.
Her upbringing is why she believes that positive attracts positive and that is why she listens to music with substance and creates music with substance, “When I write I think about who listens to my songs and I think about the message. My songs might be corny and crappy,” she says but she knows that she produces music that will touch someone in a positive way.
From Stabroek News






